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THE NORTH BEACH YEARS | 1949 to 1953
Howard had seen the future! He saw what made a painting and knew at that moment that he would be an artist, a painter. More than anything he wanted to get to San Francisco and become part of the growing art community...and North Beach was it!

I was sitting on a park bench looking at Lake Merritt, I was 17 and it was the time of year they call Indian Summer, lots of atmosphere, also called aerial perspective. What happened I could describe later in words, it was an intuitive flash, an epiphany. What I was looking at is what they make paintings of, if I see "that" then I was of "those", an artist! I had found myself, and the rest is history.

Next question for me was, "How do you make a painting?" Art schools had become a contest to see who was furthest "out there", but to paint what I was seeing required craft and technique in the academic or classical sense. I needed to study with someone with the training and skills of the Old Masters. That person was Martin Baer. He and his brother had studied painting in the 1890s, the Flemish method of making a realist painting, a method no longer being taught in art schools - rather it was action, expression, the subconscious; all great, but this "new concept" needed to be found and integrated into mainstream realist painting.

Yes, revolution and concept were running around North Beach in the form of the Beatniks. There was also an older generation of Bohemians who had "been there" - the 1900s, Paris, the 20s. Martin Baer was one of them, and part of my studies with him was absorbing the stories of that time - "the who" of that generation: Hemingway, Chagall, Bonard, Stein, Duncan. Baer left Paris in 1939. I studied with him from 1949 to 1953: The North Beach Years.
- Howard Hack, 2012

PLAY SLIDESHOW

journal
SNAPDRAGONS

Journal Page
1949
THEN THERE WAS LIGHT

Oil on canvas
1950
howard hack art
THE NORTH BEACH YEARS
JOURNAL COVER

Ink on muslin
1949 - 1953

howard hack art
WHERE "IT" WAS AT!

Journal Page
1949
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ROCK FROM
CRONKHITE BEACH

Journal Page
1949

howard hack art


VESUVIO PRESENTS

Exhibition Poster
1950
vesuvio
painting

POINTILLIST

Oil on canvas
1950

painting

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THE COFFEE GALLERY

Exhibition Poster
1951


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VIOLIN BY CANDLELIGHT

Oil on gesso panel
1950

TRIANGLE GALLERY

Exhibition Poster
1951

painting

WORKMAN BAY BRIDGE

Oil on gesso panel
1950

VESUVIO EXHIBITION | 1950

JOURNAL | 1949 -1953
STUDIED WITH MARTIN BAER | 1950 TO 1953
THE COFFEE GALLERY EXHIBITION | 1951
THE TRIANGLE GALLERY EXHIBITION | 1951
THE NORTH BEACH YEARS
JOURNAL COVER 2

Ink on muslin
1949 - 1953

howard hack art
FAN BUTTERFLY

Journal Page
1949
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TRIANGLE GALLERY

Exhibition Poster
1951

BOATS, THE DELTA
BENICA, CA

Drawing
1950

painting
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STUDENT AND TEACHER:
HOWARD HACK AND
MARTIN BAER EXHIBITON

Breckenridge Gallery
Program


HOWARD HACK PORTRAIT
By Martin Baer

Oil on board
1951

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MARTIN BAER TRIBUTE

Program
1951
HOWARD HACK OF
SAN FRANCISCO AND ENVIRONS

Journal Page
1949
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ATLAS KEYS

Journal Page
1949
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MASTER LOCK

Journal Page
1949
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HORSESHOE TROMPE L'OEIL
Inspired by
William M. Harnett, 1886

Journal Page
1949
_________________________
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William M. Harnett
The Golden Horseshoe, 1886
mezzanine gallery
THE GRAY SHOP
THE MEZZANINE GALLERY

Exhibition Poster
Oakland, California
1949

THE GRAY SHOP EXHIBITION | 1949
mezzanine gallery
THE GRAY SHOP
THE MEZZANINE GALLERY

Exhibition Poster
Oakland, California
1949
APPLE: STUDY

Oil on canvas
1949
howard hack art
EVENING WALK

Oil on canvas
1949
howard hack art
PEACOCK FEATHER

Journal Page
1949
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TYPOGRAPHIC STUDY FOR
THE GRAY SHOP


Journal Page
1949

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MARTIN BAER PAINTINGS

Farhat Art Museum
KEYHOLE:
SUTTER & FRANKLIN STREETS

Journal Page
1950

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BUILDINGS:
OAKLAND ESTUARY

Watercolor
13" x 18.5"
1950


WATERCOLORS | 1950
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BUILDINGS:
OAKLAND ESTUARY

Watercolor
11.75" x 20"
1950



Copyright 2012 Howard Hack. All rights reserved.
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