THE NORTH BEACH YEARS | 1949 to 1953
Howard had seen the future! He saw what made a painting and knew at that moment that he would be an artist, a painter. More than anything he wanted to get to San Francisco and become part of the growing art community...and North Beach was it!
I was sitting on a park bench looking at Lake Merritt, I was 17 and it was the time of year they call Indian Summer, lots of atmosphere, also called aerial perspective. What happened I could describe later in words, it was an intuitive flash, an epiphany. What I was looking at is what they make paintings of, if I see "that" then I was of "those", an artist! I had found myself, and the rest is history.
Next question for me was, "How do you make a painting?" Art schools had become a contest to see who was furthest "out there", but to paint what I was seeing required craft and technique in the academic or classical sense. I needed to study with someone with the training and skills of the Old Masters. That person was Martin Baer. He and his brother had studied painting in the 1890s, the Flemish method of making a realist painting, a method no longer being taught in art schools - rather it was action, expression, the subconscious; all great, but this "new concept" needed to be found and integrated into mainstream realist painting.
Yes, revolution and concept were running around North Beach in the form of the Beatniks. There was also an older generation of Bohemians who had "been there" - the 1900s, Paris, the 20s. Martin Baer was one of them, and part of my studies with him was absorbing the stories of that time - "the who" of that generation: Hemingway, Chagall, Bonard, Stein, Duncan. Baer left Paris in 1939. I studied with him from 1949 to 1953: The North Beach Years.
- Howard Hack, 2012
PLAY SLIDESHOW
SNAPDRAGONS
Journal Page
1949
THEN THERE WAS LIGHT
Oil on canvas
1950
THE NORTH BEACH YEARS
JOURNAL COVER
Ink on muslin
1949 - 1953
WHERE "IT" WAS AT!
Journal Page
1949
ROCK FROM
CRONKHITE BEACH
Journal Page
1949
VESUVIO PRESENTS
Exhibition Poster
1950
POINTILLIST
Oil on canvas
1950
THE COFFEE GALLERY
Exhibition Poster
1951
VIOLIN BY CANDLELIGHT
Oil on gesso panel
1950
TRIANGLE GALLERY
Exhibition Poster
1951
WORKMAN BAY BRIDGE
Oil on gesso panel
1950
VESUVIO EXHIBITION | 1950
JOURNAL | 1949 -1953
STUDIED WITH MARTIN BAER | 1950 TO 1953
THE COFFEE GALLERY EXHIBITION | 1951
THE TRIANGLE GALLERY EXHIBITION | 1951
THE NORTH BEACH YEARS
JOURNAL COVER 2
Ink on muslin
1949 - 1953
FAN BUTTERFLY
Journal Page
1949
TRIANGLE GALLERY
Exhibition Poster
1951
BOATS, THE DELTA
BENICA, CA
Drawing
1950
STUDENT AND TEACHER:
HOWARD HACK AND
MARTIN BAER EXHIBITON
Breckenridge Gallery
Program
HOWARD HACK PORTRAIT
By Martin Baer
Oil on board
1951
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MARTIN BAER TRIBUTE
Program
1951
HOWARD HACK OF
SAN FRANCISCO AND ENVIRONS
Journal Page
1949
ATLAS KEYS
Journal Page
1949
MASTER LOCK
Journal Page
1949
HORSESHOE TROMPE L'OEIL
Inspired by
William M. Harnett, 1886
Journal Page
1949
_________________________
William M. Harnett
The Golden Horseshoe, 1886
THE GRAY SHOP
THE MEZZANINE GALLERY
Exhibition Poster
Oakland, California
1949
THE GRAY SHOP EXHIBITION | 1949
THE GRAY SHOP
THE MEZZANINE GALLERY
Exhibition Poster
Oakland, California
1949
APPLE: STUDY
Oil on canvas
1949
EVENING WALK
Oil on canvas
1949
PEACOCK FEATHER
Journal Page
1949
TYPOGRAPHIC STUDY FOR
THE GRAY SHOP
Journal Page
1949
MARTIN BAER PAINTINGS
Farhat Art Museum
KEYHOLE:
SUTTER & FRANKLIN STREETS
Journal Page
1950
BUILDINGS:
OAKLAND ESTUARY
Watercolor
13" x 18.5"
1950
WATERCOLORS | 1950
BUILDINGS:
OAKLAND ESTUARY
Watercolor
11.75" x 20"
1950
Copyright 2012 Howard Hack. All rights reserved.
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